11/14/2023 0 Comments Red sparrow sequelLawrence has crafted an adult-minded film, one built within real-world intrigue and messy patriotism born of even messier politics. It’s driven by a kind of sexual violence and moral menace that gives its grounded nature a workout. It lingers, more interested in interactions than action. Red Sparrow is as far from a Marvel movie as one could possibly get. Only by coming to terms with female-led action and espionage films as more than novelties can we see their value beyond the surface level. As audiences, we can watch countless male-led big box-office blockbusters, all of which seem cut from the same cloth, and “rip-off” is barely whisperedf. Atomic Blonde suffered some of the same comparisons to Black Widow during its theatrical run, though not to the same degree as Red Sparrow. Already, Marvel’s upcoming Captain Marvel, featuring Brie Larson as the titular cosmic hero, is being held up to the Patty Jenkins-directed Wonder Woman, something that will undoubtedly become more prevalent as we move closer to release. The problem is that because of the lack of consistent genre-friendly blockbusters with women in the lead roles, many are quick to draw shallow comparisons and cry rip-off. Meanwhile…Ģ017 sensation Wonder Woman and Atomic Blonde, bound for status as a cult classic, proved that there’s not only a need for female-led blockbuster films, outside of the traditionally femme-friendly horror genre, but a desire for them as well. But Captain America and Avengers sequels came, conquered and left Black Widow as a co-star as each Marvel phase gave way to the next. The Avengers not only increased the character’s popularity, particularly by way of an interrogation scene that brought “red in my ledger” into the pop-culture lexicon, but also boosted the chances that we’d see a solo film. Now with Red Sparrow released, it’s clear that, if anything, Lawrence’s film proves we not only still need a Black Widow movie, but that we need more films like Red Sparrow as well.Īfter making her big-screen bow in 2010’s Iron Man 2, there was little doubt that we’d be seeing Natasha Romanoff leading her own film sooner rather than later. It seemed that Red Sparrow and Black Widow were inextricably linked by their subgenre within the consciousness of cinemagoers. While those plans were met with excitement from fans, many also wondered if Marvel had simply waited too long and been beaten to the punch. That same month, Marvel Studios finally made plans to move ahead with a film centered on Johansson’s character by hiring screenwriter Jac Schaeffer. The director also noted that the interests of Red Sparrow are entirely different from that of Marvel’s gadgetcentric spy world. Francis Lawrence refuted these claims in January, highlighting the fact that his film is based on its own source material, the novel of the same name by former CIA operative Jason Matthews.
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